Tiziano Martini, Pig Tails, 2023
2 part poliurethan coatings, high solid clear coat over medium density panel
80 7/10 × 61 in | 205 × 155 cm, Frame included
View at “Andreae”, A+B Gallery, Brescia, Ph. Petrò/Gilberti
Detail, Ph. Petrò/Gilberti
Tiziano Martini, Andreae, 2023, 2 part poliurethan coatings, high solid clear coat over medium density panel
74 × 115 in | 188 × 292 cm, view at “Andreae”, A+B Gallery, Brescia, Ph. Petrò/Gilberti
Installation view at Andreae, A+B Gallery, Brescia, Ph. Petrò/Gilberti
Se incoi fose vendre saria perfetto, cit., 2023, 2 part poliurethan coatings, high solid clear coat over medium density panel, 73 × 49 3/5 in | 185.5 × 126 cm, framed,
exhibition view at Andreae, A+B Gallery, Brescia
Ph. Petrò/Gilberti
Exhibition view at Andreae, A+B Gallery, Brescia, Ph Petrò/Gilberti
Detail, 2023, Ph Petrò/Gilberti
Garage Jobs, 2023
2 part poliurethan coatings, high solid clear coat over medium density panel
86 3/5 × 64 3/5 in | 220 × 164 cm, framed,
exhibition view at Andreae, A+B Gallery, Brescia, Ph Petrò/Gilberti
Andreae, 2023, view at A+B Gallery, Solo Show, Ph. Petrò/Gilberti
Andreae, 2023, view at A+B Gallery, Solo Show, Ph. Petrò/Gilberti
Andreae, 2023, view at A+B Gallery, Solo Show, Ph. Petrò/Gilberti
Untitled, 2022, two part polyurethan and oainted hs clear coat on mdf, printed cardboard frame, view at Who killed Bamby, Museo di Casso, courtesy Dolomiti Contemporanee
Untitled, 2022, two part polyurethan and oainted hs clear coat on mdf, printed cardboard frame, courtesy
Dolomiti Contemporanee
detail, 2022
view at Ecc Contemporary, Turin, 2022, Ph Nicola Morittu
close up
Untitled (i Preruffianiti), 2022, two part urethan and high solid clear coat on medium density, wood frame, cm 188×125
courtesy A+B Gallery/Ecc Contemporary
detail, 2022, Ph Nicola Morittu
Side view, 2022, Ph. Nicola Morittu
Close up, 2022, Ph. Nicola Morittu
“Untitled” (fori di spillo), 2022, two part poliurethan coatings and high solid clear on mdf panel, painted wood frame, 189×153 cm
Ph. Petrò/Gilberti
Dog in the Window, exhibition view, AplusB gallery. Brescia. ph Petro_Gilberti
Dog in the Window, exhibition view, AplusB gallery. Brescia. ph Petrò_Gilberti
Dog in the Window, exhibition view, AplusB gallery. Brescia. ph Petrò_Gilberti
Dog in the Window, exhibition view, AplusB gallery. Brescia. ph Petrò_Gilberti
Untitled, 2022, two part urethan over mdf, painted wood frame, cm 188×138
View, 2022, ph Petró
detail, 2022
Side view, ph Petró
Close up, ph Petró
Close up, ph Petró, 2022
Close up, ph Petró, 2022
Untitled, 2022, two part urethan over medium density, wood frame, cm 188×14
Detail
Installazione view, art Dusseldorf, a+b gallery, 2022
detail
detail
detail
Untitled, 2022, two part urethan coatings over medium density, framed, cm 168×129 cm, studio view
Dtudio view, 2022
stdio view
details, 2022
detail, 2022
detail
detail
close up
studio view
close up, 2022
detail
detail
studio view, 2022
detail
detail
Untitled, 2022, poliurethan coatings on mdf panel, to be framed
detail
detail
close up
Untitled, 2021, two part poliurethan paint over mdf panel, to be framed, size cm 185×162 (unframed)
studio shot, Val di Zoldo, 2021
detail
detail
studio view, Val di Zoldo, 2021
in progress
Untitled, 2021, two part urethan over medium density, size aprox cm 185×130, to be framde, studio shot
Detail
Studio Val di Zoldo
Untitled, 2021, two part urethan and high solid clear coat on Fabriano paper, mounted on alu-dibond panel
Detail
Studio detail, 2021
close up
studio, Val di Zoldo, 2021
Untitled, 2021, 2 part urethan coatings over mdf panel, high solid clear coat, wood, painted wooden frame, 74,5×52,5 cm
untiled, 2021, two part poliurethan and high solid clear coat over mdf, wood, cm 30×8,5×2
close up
Untitled, 2021, two part poliurethan coatings and high solid clear coat over mdf, wood, cm 30×8,5×2
S.T., 2021, 2 part urethan and hs clear coat on mdf, cm 63,5×44,5, wood frame
two part poliurethanic coating system on paper mounted on aluminium
The works on paper are consequent to the generative processes of the “high performance paintings”. The paper support, in this case becomes a binder of the superfluous. After multiple cycles of layering, the substrate, which has become thick and consistent, is smoothed and applied to a dibond aluminum plate, which is then transparent painted and mirror polished.
two part poliurethanic coating system on paper mounted on aluminium
studio view, 2021
studio view, 2021
close up, ph Petrò
Untitled, 2021, 2 part urethan over medium density panel, cm 99×50,5, framed, studio view
The works on paper are consequent to the generative processes of the “high performance paintings”. The paper support, in this case becomes a binder of the superfluous. After multiple cycles of layering, the substrate, which has become thick and consistent, is smoothed and applied to a dibond aluminum plate, which is then transparent painted and mirror polished.
two part poliurethanic coating system on paper mounted on aluminium
The works on paper are consequent to the generative processes of the “high performance paintings”. The paper support, in this case becomes a binder of the superfluous. After multiple cycles of layering, the substrate, which has become thick and consistent, is smoothed and applied to a dibond aluminum plate, which is then transparent painted and mirror polished.
detail, 2021, ph. Petrò
Senza titolo, ciclo poliuretanico e trasparente alto solido su mdf, 2021, cm 76×64, cornice in abete, courtesy A+B Brescia, foto Petrò
untitled, two part poliurethan over medium density, 2021, cm 127,5×95, framed, courtesy A+B Brescia, ph Petrò
studio, 2020
Detail, Untitled, 2020, two part poliurethan coatings on mdf panel, cm approx 186×126, courtesy A+B Gallery
Untitled, 2020, two part poliurethan coatings on mdf panel, cm approx 186×126, courtesy A+B Gallery
detail, Ph Petrò
Untitled, 2020, two component poliurethanic coating system over mdf panel, framed, cm appro x185x125, private collection
close up, Ph Petrò
Detail, Ph Petrò
Untitled, 2020, two component poliurethanic coating system over mdf panel, to be framed, cm approx 185×125
detail, 2020, Ph Petrò
close up, 2020, Ph Petrò
Untitled, 2020, two part poliurethan and hs clear coats over mdf, framed, size cm 225×130, Ph petrò, Courtesy A+B Gallery
The Waiting Hall, installation view, A+B Gallery, Brescia, Ph Petrò
Detail, 2020, Ph Petrò
detail, 2020, Ph Petrò
detail, Ph Petrò
Untitled, 2020, 2 components urethan over mdf panel, 188×125 cm, wooden frame, courtesy A+B Brescia, private collection
Untitled, 2020, base coat, 2k poliurethan top coat and 2 k poliurethan clear coat over mdf panel, cm 90×60, studio view
detail
Monsieur Fanta e i suoi Panzerjraftwagen, 2020, 2 part urethan coatings and high solid clear coat over mdf panel, wood, cm 83×60, to be framed
in progress
Untitled, 2021, 2 part urethan coatings over mdf panel, 185x120cm, to be framed, studio shot
Untitled, 2019
two component base coat, two component poliurethan top coat and two component
poliurethan clear coat over ennobled chipboard panel, wood, screws, glue
186 x 125 cm, wooden frame
Untitled, 2019, 2 k base coat, 2k poliurethan top coat and 2 k poliurethan clear coat over mdf, over chipboard panel, cm aprox 183×92,5
Tiziano Martini
Untitled, 2019
two component base coat, two component poliurethan top coat and two component
poliurethan clear coat over ennobled chipboard panel, wood, screws, glue
186 x 125 cm, private collection
Tiziano Martini, Untitled, 2019/2020
two component base coat, two component poliurethan top coat and two component
poliurethan clear coat over ennobled chipboard panel, wood, screws, glue
186 x 125 cm, wooden frame
Tiziano Martini
Untitled, 2019
two component base coat, two component poliurethan top coat and two component
poliurethan clear coat over MDF panel, wood, screws, glue
186 x 124.8 cm
Untitled, 2020_2021, 2 part urethan coatings over mdf panel, 185×120 cm, to be framed
2021
Untitled, 2020,2k base coat, 2k poliurethan top coat and 2 k poliurethan clear coat over ennobled chipboard panel, to be framed, studio view, cm 186,3×125,3, steel frame
close up, 2020
view, palazzo Maffei, Verona, C-Art-Off-Line by Mirko RIzzo, courtesy Fondazione Cariverona
Untitled, 2020_2021, two component poliurethan coatings on mdf panel, 188×124,5, framed
studio view, 2020
Untitled, 2020, poliurethan over mdf, cm aprox 130×90, framed, private collection
side view
detail, 2019
Untitled, 2019, poliurethan dust over high performance cloth, alu stretcher, cm 40×30, courtesy The Artsit
Tiziano Martini, 2019, Untitled #2, acrylics on paper, cardboard, wooden frame, 40×30 cm. Courtesy Otto Zoo. Ph. Luca Vianello
Tiziano Martini, 2019, Untitled #3, acrylics on paper, cardboard, wooden frame, 40×30 cm. Courtesy Otto Zoo. Ph. Luca Vianello
Franco Arocha, Tiziano Martini, 2019. Installation view. Courtesy Otto Zoo. Ph. Luca Vianello
Franco Arocha, Tiziano Martini, 2019. Installation view. Courtesy Otto Zoo. Ph. Luca Vianello
Malerbe, Franco Arocha, Tiziano Martini, 2019. Installation view. Courtesy Otto Zoo. Ph. Luca Vianello
Untitled, 2019, 2 k base coat, 2k poliurethan top coat and 2 k poliurethan clear coat over mdf panel, cm 186×124,8, studio shot
Untitled, 2019, base coat, 2k poliurethan top coat and 2 k poliurethan clear coat over mdf panel, cm 92,5×64,5, studio view
untitled, 2019, acrylics and monotype process on canvas, cm 40×30
Tiziano Martini, 2019, TBT, acrylics and monotype process on wet acrylic paint, cotton, alu stretcher, cm 50×40
detail
Untitled, 2019, base coat, 2k poliurethan top coat and 2 k poliurethan clear coat over mdf panel, wood, cm 128,5×92,5, studio view, private collection
TizianoMartini, 2019, el vilan se largo de boca e streto de man, acrylics, monotype process on white wet acrylic paint over gesso, cotton, cm 160×120
Malerbe, exhibition view at Otto Zoo, Milan
Untitled, 2019, base coat, 2k poliurethan top coat and 2 k poliurethan clear coat over mdf panel, cm 90×60, studio view
malerbe
Tiziano Martini, Co le ciacole no se fa fritole, 2019, acrylics and monotype process on cotton, 225×165 cm. Courtesy Otto Zoo. Ph. Luca Vianello
Malerbe, Franco Arocha, Tiziano Martini, 2019. Installation view. Courtesy Otto Zoo. Ph. Luca Vianello
Tiziano Martini, Coghe ne, ghe nè, 2019, acrylics and monotype process on cotton, 160×120 cm. Courtesy Otto Zoo, ph Luca Vianello
close up, 2018
2019_Untitled, plaster, base and armer in iron, styrodur, pigments,acrylics, concrete and residues of painting, cm 125×29
OZ_Malerbe, Franco Arocha, Tiziano Martini, 2019. Installation view. Courtesy Otto Zoo. Ph. Luca Vianello 9
OZ_Tiziano Martini, Untitled, 2019, acrylics on paper, cardboard, wooden frame, 60×40 cm. Courtesy Otto Zoo. Ph. Luca Vianello
OZ_Tiziano Martini, Vers e fasoi sbrega i lenzoi, 2019, acrylics and monotype process on cotton, 200×100 cm. Courtesy Otto Zoo. Ph. Luca Vianello
Tiziano Martini, 2018, il t-rex, acrylics, monotype process on white wet acrylic paint over gesso, cotton, cm 200×140
Tiziano Martini, 2018, supercompensatore, acrylics, monotype process on white wet acrylic paint over gesso, cotton, cm 160×120
Untitled, 2018, acrylics and monotype process on cancas, wooden frame, cm 40×30 (unframed)
Pour moi le meilleur du depressive black metal, 2018, 173×142 cm, cornice d’artista
Just screams like a fool, 2018, acrilici e processo monotipo su acrilico su gesso, cotone, telaio in alluminio183x138cm, cornice d’artista
untitled, 2018, acrylic and monotype process on canvas, framed, cm 43×33, private collection
el mejor album del black metal de todos los tiempos!!!!!!!!!!!, monotype process, cm 200×140
I was just pres the like button, when i saw that this video has 666 likes. i’m gonna leave it like that, monotype process, cm 200×140
Tiziano Martini, 2018, la biene Maja della pittura, acrylics, monotype process on white wet acrylic paint over gesso, cotton, cm 162×142
detail
detail
Untitled, 2018, acrylics and monotype process over wet acrylic paint, 162x122cm, artist frame, view at Code 3, Copenhagen
TizianoMartini, 2018, Dynarex, acrylics and monotype process on wet acrylic paint over gesso, raw linen, cm 200×140
Code 3
This is pure owesomeness, 2018, 162×122 cm, artist frame
Tiziano Martini, Some of the rawest shit out there, 2018, dirt and monotype process on wet acrylic paint, artist frame, 102×122 cm. Courtesy Otto Zoo. Ph. Luca Vianello
If you care to see me you should think about it, summer show 2018, installation view. Courtesy Otto Zoo. Ph. Luca Vianello
installation view at Art Colone, 2018, solo presentation Achenbach Hagemeier/A+B Gallery
I don’t believe this is a demo, it’s sound waaaaay to fucking good to be a demo, 2018, monotype process, cm 200×140, framed, private collection
trve kvlt i wonder if they perform kive, 2018, monotype process, cm 200×140, framed, private collection
Installation view at Art Colone, 2018, solo presentation Achenbach Hagemeier/A+B Gallery
Installation view at Art Colone, 2018, solo presentation Achenbach Hagemeier/A+B Gallery
Installation view at Art Colone, 2017, solo presentation Achenbach Hagemeier/A+B Gallery
Tiziano Martini, 2018, il brian eno del black metal, acrylics and monotype process on acrylic paint on raw linen, cm 200×140
TBT, monotype process, 2017, cm 160×120
Tiziano Martini, exhibitionView Ex Fabbrica Orobia, photo Olga Costa_Pesce Khete_Tiziano Martini
Tiziano Martini, exhibitionView Ex Fabbrica Orobia, photo Olga Costa
detail Firnt
detail, 2017, “Firnt”, ph Alberto Petrò
detail, firnt
Close up, “Firnt”, ph Petrò
Exhibition View “Firnt”, at A+B Gallery, Brescia, photo Alberto Petrò
Exhibition View, “Firnt”, at A+B Gallery, Brescia
View from “Le Insidie Della Nuova Libertà”, Achenbachhagemeier; Duesseldorf, ph Achim Kukulies
View “Le Insidie Della Nuova Libertà”, Achenbachhagemeier; Duesseldorf, ph Achim Kukulies
Installation view “Die Tuecken der neuen Freiheit”, 2017, Duesseldorf
Tiziano Martini, Die Tücken der neuen Freiheit, installation view, Achenbach Hagemeier Gallery, Düsseldorf, ph Achim Kukulies
View at Achenbach Hagemeier, Duesseldorf
Exhibition view “Die Tuecken der neuen Freiheit”, 2017, Achenbach Hagemeier, Duesseldorf, ph Achim K.
Tiziano Martini, Die Tücken der neuen Freiheit, installation view, Achenbach Hagemeier Gallery, Düsseldorf, ph Achim Kukulies
View, Achenbachhagemeier, 2017
Die Tuecken der neuen Freiheit, exhibition view at Achenbach Hagemeier, Duesseldorf, 2017
ph. Achim Kukulies
ExhibitionView2_Firnt, at A+B Gallery, Brescia
Tiziano Martini, 2017, Mittagspause bei Oma, acrylics ,dirt and monotype process on wet acrylic paint, artist frame, cm 162×122, Private Collection
InstallationView, 2017, Fuocoapaesaggio, FORTE DI MONTE RICCO, Pieve di Cadore, ph. Giacomo de Donà
Tiziano Martini, 2016, TBT, acrylics, dirt and monotype process on white acrylic paint, on cotton on primer, stretcher, artist frame, cm 161×121, photo Petrò_Gilberti
Tiziano Martini, 2016, Untitled, acrylics, dirt and monotype process on white acrylic paint, on cotton on primer, stretcher, artist frame, cm 161×121, photo Petrò_Gilberti
Untitled, 2016, acrylics and monotype process over wet acrylic paint, canvas, stretcher, cm 200×140, courtesy the Artist/A+B Gallery, Ph Petrò
Installation view, private collection, Los Angeles
close up, 2016
detail
Tiziano Martini, 2016, acrylics, monotype process and dirt from the studio on primer on cotton, cm 160×120, private collection, (studio view)
Tiziano Martini, 2016, view at Cadman Concept Store, Dreischeibenhaus, Duesseldorf
Tiziano Martini, 2016, TBT (untitled), acrylics, dirt, monotype process on wet white acrylic paint, on cotton, aluminium stretcher, artist frame, cm 172×152, private collection
View at Dreischeiben Haus, Duesseldorf
Tiziano Martini, CoFa Colone, 2016, booth view, David Achenbach Projects, Duesseldorf, Wuppertahl
Ewaldo wie hohl ist das denn, 2016, monotype process and dirt from the studio on acrylic paint, on primer on canvas, painted artist frame, cm 161×121, courtesy Achenbach Hagemeier
View, private collection
tiziano martini, 2016, untitled, acrylics, dirt from the studio and monothype process on white acrylic paint on primer on cotton, artist frame, cm 162×122, photo Petrò_Gilberti
installation view, Achenbach Projects, Wuppertahl
Studio view, Val di Zoldo
tiziano martini, untitled, 2016, acrylics, dirt and monothype process on acrylic paint on primer on cotton, artist frame, cm 162×122
close up, 2016
tiziano martini, senza titolo, 2016, acrylics, dirt and monothype process on acrylic paint on primer on cotton, artist frame, cm 162×122
Tiziano Martini, 2016, polent paintings, acrylics ,dirt and monotype process on wet acrylic paint, black artist frame, cm 201×141
side view
Tiziano Martini, 2016, TBT, acrylics ,dirt and monotype process on wet acrylic paint, black artist frame, cm 201×141
Tiziano Martini, 2016, TBT, acrylics ,dirt and monotype process on wet acrylic paint, artist frame, cm 201×141
Tiziano Martini, 2016, untitled (Caffe latte bei Talamini) acrylics, monotype process and dirt from the studio on primer on cotton, composed artist frame, cm 161×121
Tiziano Martini, 2016, untitled (Caffe latte bei Talamini) acrylics, monotype process and dirt from the studio on primer on cotton, composed artist frame, cm 161×121, detail
RobertBosch ist Der Geilste, 2016, monotype process and dirt from the studio on acrylic paint, on primer on canvas, painted artist frame, cm 161×121, courtesy David Achenbach Project Wuppertahl
TizianoMartini, 2016, monotype process and dirt from the studio on acrylic paint, on primer on canvas, assembled artist frame, cm 161×121
TizianoMartini, 2016, untitled, monotype process and dirt from the studio on acrylic paint, on primer on canvas, composed artist frame, cm 202×142
detail
tiziano martini, 2015, untitled, acrylic and acrylic sedimends on canvas, cm 200×140
tiziano martini, 2015, untitled, acrylic and acrylic sedimends on canvas, cm 200×140
Tiziano Martini, 2015, untitled, acrylic paint on cotton, cm 140×100, photo Dejna Saric
Tiziano Martini, 2015, untitled, black acrylic paint on primer on cotton, cm 210×150, photo Dejna Saric
tiziano martini, 2015, untitled, acrylic paint and acrylic sediments on canvas, cm 40×30
View, private collection, Los Angeles
Untitled, 2015, acrylics and monotype process on canvas, cm 200×140
Untitled, 2015, monothype process over wet acrylic paint, canvas, stretcher, cm 160×120
Exhibition view at Lerpsien Art Foundation, Duesseldorf
tiziano martini, untitled, 2015,acrylic sediments and pieces glued on acrylic paint on canvas, artist frame, cm 201×141, front
tiziano martini, untitled, 2015,acrylic sediments and pieces glued on acrylic paint on canvas, artist frame, cm 201×141, detail
Tiziano Martini, 2015, acrylics, monotype process and dirt from the studio on primer on cotton, cm 202×142, private collection
studio shot, 2015
detail
untitled. 2015, acrylic sediments on wet acrylic paint, cotton, cm 40×30, courtesy the Artist
detail
monsieur Fanta!, view, aplusb, brescia, photo courtesy AplusB_tizianomartini
detail
Tiziano Martini, Fanta, 2015, acrylic paint, acrylic sediments and dirt on primer on cotton, artist frame, cm 161×121, courtesy The Artist and A+B Brescia
monsieur Fanta!, view, aplusb, brescia, photo courtesy AplusB_tiziano martini
monsieur Fanta!, view, aplusb, brescia, photo courtesy AplusB
“the Essencial Bruce Springsteen”, exhibition view at Andersen’s, Copenhagen
tiziano martini, 2015, untitled, black acrylic paint and lacquer on canvas, artist frame, cm 141×111
side view
untitled, 2015, acrylic, acrylic sediments, binder and dirt on primer on cotton, artist frame, cm 211×151
detail
Untitled, 2015, acrylic and monotype process on wet acrylic paint, canvas, cm 43×33, private collection
detail
studio Duesseldorf, 2015
side view
untitled, 2015, acrylic, acrylic sediments, binder and dirt on primer on cotton, cm 210×150, view at Lepsien Art Foundation, private collection
Tiziano Martini, 2015, untitled, white acrylic paint and white lack on cotton, cm 140×100, artist frame, photo Dejna Saric, private collection
tiziano_martini, untitled, 2015, acrylic sediments and pieces glued on acrylic paint on canvas, artist frame, cm 161×121
Tiziano Martini, 2015, untitled, acrylic paint and acrylic sediments on cotton, cm 160×120, Private Collection
close up at Lepsien Art Foundation, 2015
tiziano martini, 2015, untitled, white acrylic paint on polyester on wooden stretcher, cm 260×200, photo Dejna Saric, courtesy LepsienArtFoundation
Tiziano Martini, 2015, untitled, acrylic paint on cotton, cm 160×120, photo Dejna Saric
Tiziano Martini, 2015, untitled, acrylic paint and acrylic sediments on cotton, cm 160×120, photo Dejna Saric
tiziano martini, 2015, untitled, acrylic paint and acrylic sediments on canvas, cm 42×32
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Exhibition view
at Lorem Gallery, Milan, 2017.
Oil on canvas
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Exhibition view
at Lorem Gallery, Portugal, 2015.
Oil on canvas
view, 2014, #painting. about, around & within, gallery Upp, Venice
untitled, stretched painting cloth, cm 40×30
installation view, 2014, Gallery Upp, Venice
tiziano martini, untitled, 2014, inkjet print on paper, edition of 10, photo andrea rossetti, view museo di casso
tiziano martini, untitled, 2014, inkjet print on paper, edition of 10, photo andrea rossetti
tiziano martini, 2014, untitled, effects of sunlight and dirt on red faided fabric mounted on wooden stretcher, metal, cm 200×140
Tiziano Martini, Untitled, 2014, water-based paint, dirt, acrylic binder, acrylic paint, wood varnish, coffee and oil on plywood panel, wooden frame, cm 92,5×63,5, photo Andrea Rossetti
Tiziano Martini, Untitled, 2014, water-based paint, dirt, acrylic binder, acrylic paint, wood varnish, coffee and oil on plywood panel, wooden frame, cm 92,5×63,5, photo Andrea Rossetti
Exhibition view, 2014, Catalizzatore, Ottozoo, Milan, ph Rossetti
Exhibition view, 2014, Catalizzatore, Ottozoo, Milan, ph Rossetti
Untitled, 2014, gypsum plaster, pigments and acrylic paint on plywood panel, framed, ph. Andrea Rossetti
Catalizzatore, installation view, Ottozoo, Milan, ph Andrea Rossetti
tiziano martini, untitled (floor), 2013/2014, two part acrylic resin, spray paint, acrylic paint, plaster, dirt from the studio floor, spray, glue, varnish, dirt water, damar, wood panels, cm 290×180
exhibition view Catalizzatore, Ottozoo, Milan, ph Andrea Rossetti
Ctalizzatore, Ottozoo, Milan, ph Andrea Rossetti
Exhibition view, 2014, Catalizzatore, Ottozoo, Milan, ph Rossetti
Installation view, Catalizzatore, Ottozoo, Milan, ph. Andrea Rossetti
detail, 2014
Untitled, 2014, gypsum plaster, pigments and acrylic paint on plywood panel, framed, ph. Andrea Rossetti
Untitled, 2014, acrylics, house paint, sediments and rust over primed cotton, framed, cm 200×140, private collection
Untitled, 2014, acrylics, house paint, aerosol, tar and acrylic sealant over cotton, framed, cm 212×152, view at Catalizzatore, Otto Zoo, Milan
“Landina”, Cars, Omegna, 2014
tiziano martini, 2014, metal, red faided fabric, wooden stretcher, cm 40×30, artist frame, courtesy TheArtist_Cars
tiziano martini, 2014, metal, red faided fabric, wooden stretcher, cm 40×30, artist frame, courtesy TheArtist_Cars
tiziano martini, 2014, acrylic on canvas, artist frame, cm 140×100, studio view, detail, photo Andrea Rossetti
tiziano martini, 2014, untitled, acrylic on canvas, artist frame, cm 140×100, photo andrea rossetti
tiziano martini, 2014, untitled, effects of sunlight and dirt on red faided fabric mounted on wooden stretcher, metal, cm 200×140
detail
tiziano martini, 2014, untitled, rust, dirt, sediments, oil, acrylic paint and water-based paint on canvas, artist frame, cm 190×140, view
Tiziano Martini, untitled, 2014, acrylic on canvas, artist frame, painted wall, cm 202×142
tiziano martini, 2013, untitled, 11 canvases, oil and acrylic paint, spray paint, foundet objects, old canvas, artist frames, variable dimensions, installation view, fondazione bevilacqua la masa, venice
tiziano martini, 2013, untitled, 11 canvases, oil and acrylic paint, spray paint, foundet objects, old canvas, artist frames, variable dimensions, installation view, fondazione bevilacqua la masa, venice
untitled, 2013, acrylic paint, house paint, sander, raw canvas_cm40x30
untitled, 2013, acrylic paint, house paint, sander, canvas, cm40x30
tiziano martini, untitled, 2013, spray paint and acrylic paint, plaster, dirt from the studio floor, spray glue, varnish, dirt water, damar, concrete, wooden stretcher, cotton, cm 210×150, view
Untitled, 2013, aerosol on canvas, cm 160×120, view at Palazo delle Cossere, Brescia
Untitled, , 2013, gypsum plaster, pigments, painting waste, variable dimensions, view at Palazo delle Cossere, Brescia
Untitled, 2013, view at Palazo delle Cossere, Brescia
Untitled, , 2013, gypsum plaster, pigments, painting waste, variable dimensions, view at Palazo delle Cossere, Brescia
View at Mars Milan, 2013
Untitled, 2013, acrylics on canvas, cm 40×30
installation view, tetris, mars, Milan
untitled, 2013, spray paint on canvas, cm 40×30
detail
Untitled, 2013, gypsum plaster, pigments, variable dimensions
close up
exhibition view, 2013, Trincea, studio Rudi Cremonini, Bologna
Tiziano Martini, 2013, aerosl on prepared cotton, cm 50×40
tiziano martini, 2013, acrylic on canvas, cm 40×30
untitled, 2013, gipsum plaster, waste from painting processes, iron, wood, pigments, aerosol, cm 20x20x100
detail, 2013
close up
Tiziano Martini, 2012, acrylic on cotton, cm 260×180, courtesy The Artist_Dolomiti Contemporanee, view, ph Marcel Stahn
Tiziano Martini, installation view at Die Grosse, Museum Kunst Palast, 2015, photo Marcel Stahn
untitled, 2012, acrylic paint, graphite and watery resin-solution on cotton, cm 40×30
Untiled, 2012, dirt, tape and aerosol over primed canvas, cm 25×20
untitled, 2012, acrylic on canvas, cm 40×30
Untitled (view), 2012, spray paint on cotton, cm 45×35
exhibition view, 2012, double solo show, galerie Potemksa, Leipzig
exhibition view, 2012, double solo show, galerie Potemksa, Leipzig
untitled, 2012, spray paint on cotton, cm 40×30
Lia, Leispzig
S.T., 2012, acrylics, mixed media and dirt on ruined canvas, framed, aprox. cm 42×32, private collection
installation view, open studio, 2012, Lia, Leipzig
Untitled, spray paint on primed cotton, cm 290×190
side view
tiziano martini
untitled, 2012, acrylic and oil paint, dirt water, transparent lacquer, glossy and matt sprayfilm, dispersion glue on cotton, floor, cm 210×150, private collection
tiziano martini
untitled, 2012, acrylic and oil paint, dirt water, transparent lacquer, glossy and matt sprayfilm, dispersion glue on cotton, floor, cm 210×150, detail
tiziano martini
untitled, 2012, acrylic and oil paint, dirt water, transparent lacquer, glossy and matt sprayfilm, dispersion glue on cotton, floor, cm 210×150
Untitled, 2012, acrylic paint on canvas, cm 50×40
Untitled, 2012, spray paint on canvas, cm 70×50
Untitled, 2012, spray paint on cotton, cm 70×50, detail
propriety of chep, chep never sells, 2012, acrlylic paint and house paint over eu Pallets, variable dimensions
propriety of chep, chep never sells, 2012, acrlylic paint and house paint over eu Pallets, variable dimensions
close up
view at Cars, Omegna
exhibition view On cloud seven, 2012, Cars, Omegna
Untitled, 2012, acrylic paint over acrylic sealant, cm 40×30
Untitled, 2012, wooden pallet, acrylic paint, plexiglass, chipboard, formica, adhesive film, found materials, dispersion glue, spray paint
detail
detail, 2012
Untitled, 2012, wooden pallet, acrylic paint, plexiglass, chipboard, formica, adhesive film, found materials, dispersion glue, spray paint
view at Cars, On cloud seven, 2012, Omegna
untitled, 2012, aerosol over canvas, cm 30×20
wxhibition view On cloud seven, 2012, Cars, Omegna
Untitled, acrylic paint and dirt on canvas, cm 25×20
untitled, 2012, oil and acrylic paint, warnish, dirt water and skratches on fabriano paper, cm 140×100
untitled, 2012, acrylic and tempera on cotton, cm 25×20
tiziano martini, untitled, 2013, spray paint on cotton, cm 50×40
Tiziano_Martini, 2012, spray paint on canvas, cm 50×40, courtesy The Artist
Untitled, 2011, mixed media on canvas, cm 70×50
untiltled, 2011, acrylic and oil on ruined canvas, cm 70×50
Werkshau, exhibition view, Leipzig,
Untitled (circus hein), 2011, stretched cotton bag, paint and dirt, wooden stretcher, cm 40×30
untitled, 2011, acrylic paint on canvas, cm 40×30
Untitled, 2011, acrylics and oils on cotton, cm 210×150, vie at Lia, Leipzig
exhibition view, Forte Marghera, venice
untitled, 2011, acrylic and oil on canvas, cm 50×40
untitled, 2011, oil on canvas, cm 40×30
close up
making off
making off, dolomiti contemporanee
Untitled, 2011, various materials on synthetic fabric, 290×190 cm each
Untitled, 2011, various materials on synthetic fabric, 290×190 cm each
untitled, 2011, acrylic and skratches on canvas, cm 40×30
untitled, 2011, oil paint, paper, dispersion glue and cuts on canvas, wooden stretcher, cm 40×30
untitled, 2011, acrylic and oil paint, aluminum foil and dispersion glue on canvas, cm 40×30
Untitled, 2011, acrylic paint on plastic foil, stretched reverse on wooden stretcher, cm 40×30